The Paper Season 2 Release Date, Peacock Trailer, and The Office Spinoff Rumors
If you told me a few years ago that I would get genuinely excited about another workplace comedy set in the world of The Office, I probably would have rolled my eyes. That show is one of those rare sitcoms that feels impossible to recreate. You can copy the mockumentary format, throw a bunch of awkward coworkers into a building, and give someone a camera to stare into, but that does not automatically give you another Dunder Mifflin.
And yet, here we are.
The Paper has managed to become much more interesting than I expected, largely because it understands that simply bringing back familiar faces is not enough. The series moves the documentary crew away from Scranton and into the struggling newsroom of the Toledo Truth Teller, giving Greg Daniels and Michael Koman a completely different workplace to play with.
Now The Paper Season 2 is approaching, and the new Peacock trailer makes one thing pretty clear: the show is no longer trying to prove that it deserves to exist. It looks much more comfortable being itself.
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When Does The Paper Season 2 Come Out?
The biggest question has an easy answer.
The Paper Season 2 premieres on Peacock on Wednesday, September 9, 2026.
Even better for people who hate waiting a week between episodes, Peacock is sticking with the binge-release strategy. All 10 episodes of Season 2 are scheduled to arrive on the same day.
That is honestly a great fit for this particular show. The Paper is built around an ensemble cast and ongoing workplace storylines, so being able to watch several episodes in one sitting should make the character relationships and running jokes land much better.
For fans who remember spending years waiting for the next episode of The Office, there is something almost funny about the complete opposite approach. Ten episodes. One day. Good luck getting anything else done.

The New Trailer Feels Bigger, Messier, and More Confident
The first season had something to prove. Season 2 looks like it wants to have fun.
The Toledo Truth Teller has just experienced an unlikely victory after its staff swept the Ohio Journalism Awards. That should be the moment when everyone celebrates, takes a breath, and enjoys the success.
Naturally, that is not happening.
Ned Sampson, played by Domhnall Gleeson, immediately starts looking for the next major story. His answer is a secretive and influential private club in the local area, and his determination to expose what is happening there quickly becomes a serious problem.
This is where the new season looks particularly promising.
Ned is not a cynical investigative journalist. He is almost aggressively optimistic. He genuinely believes journalism can save the newspaper, and sometimes that confidence is exactly what gets him into trouble. Watching him charge into a potentially disastrous investigation while everyone around him realizes how dangerous the situation is feels very much in the spirit of The Office without simply copying its jokes.
The stakes are also higher now. This is no longer just a newspaper struggling to stay relevant. The survival of the Toledo Truth Teller itself could be on the line.
Ned and Mare Are Going to Be a Problem
Then there is the relationship.
Season 1 ended with the long-awaited kiss between Ned and investigative reporter Mare Pritti, played by Chelsea Frei. Season 2 apparently begins with both of them trying to pretend that absolutely nothing has changed.
Which, obviously, means everything has changed.
The trailer shows Ned and Mare attempting to keep their romance quiet while working in front of the documentary cameras. Their attempts at professionalism are hilariously transparent.
They have that specific kind of sitcom chemistry where two people insist they are acting normally while behaving like the least normal people in the building.
And I know there has already been some criticism online comparing their dynamic to Jim and Pam. I understand the comparison. It is unavoidable. But I don’t think The Paper needs to pretend those comparisons do not exist.
The real test is whether Ned and Mare eventually become characters with their own relationship rather than a modern replacement for another famous sitcom couple.
So far, I am cautiously optimistic.
Nicole Lee Already Knows What’s Going On
Ramona Young’s Nicole Lee continues to look like one of the show’s secret weapons.
In the trailer, Nicole essentially looks straight through the entire situation and tells the documentary crew that it is painfully obvious what Ned and Mare are doing. Mare suddenly having a ‘best friend’ is apparently enough evidence for her.
That kind of fourth-wall-adjacent mockumentary humor is exactly what I want from The Paper.
It does not need huge punchlines every thirty seconds. Sometimes the funniest thing is simply watching someone recognize the obvious while everyone else desperately pretends it is not happening.
The Returning Cast Is Still the Biggest Strength
A workplace comedy can have a fantastic premise and still collapse if the ensemble does not work. Fortunately, The Paper has a cast that gives the newsroom plenty of different comedic personalities.
Domhnall Gleeson remains the emotional center as Ned Sampson, whose optimism is becoming increasingly difficult to contain.
Sabrina Impacciatore returns as Esmeralda Grand, the theatrical managing editor responsible for the newspaper’s online operation. Her obsession with digital content and click-driven stories creates exactly the sort of corporate-media conflict that fits the series.
The newsroom also includes:
- Melvin Gregg as Detrick Moore, a former ad salesman forced into journalism.
- Gbemisola Ikumelo as Adelola Olofin, another member of the increasingly improvised reporting staff.
- Alex Edelman as Adam Cooper, the religious family man trying to survive newsroom chaos.
- Tim Key as Ken Davies, whose dry delivery remains one of the show’s best comedic tools.
- Oscar Nuñez as Oscar Martinez, returning from The Office and providing the most direct connection to the original series.
And yes, Oscar is still Oscar.
Oscar Martinez Is More Than Just Fan Service
Oscar Nuñez returning is obviously going to make people happy, but what I appreciate is that the character actually has a reason to be there.
Oscar has moved beyond the old Scranton branch and now works as the head accountant at the Toledo Truth Teller, while also contributing as an occasional arts reporter.
That gives him a legitimate place inside this new workplace instead of making him feel like someone who wandered onto the set just so Peacock could put The Office in a headline.
His presence also creates a weirdly satisfying connection between two eras of the same fictional universe.
And let’s be honest: seeing Oscar surrounded by an entirely new group of dysfunctional coworkers is pretty hard to resist.
Season 2 Has Some Serious Guest Stars
The new season is also bringing in a surprisingly large group of guest performers.
Jon Lovitz and Andy Richter are among the names generating attention, while Lisa Gilroy, Matt Braunger, Toks Olagundoye, and Phil Hendrie are also joining the comedy-heavy lineup.
But the cameo that will probably get the loudest reaction from longtime The Office fans is Robert R. Shafer returning as Bob Vance of Vance Refrigeration.
That is the kind of cameo that could have been painfully forced.
Hopefully, it is not.
If the writers use Bob in a way that actually serves the story, it could be a great little piece of continuity. If he exists only to make viewers point at the screen and yell ‘Vance Refrigeration!’, then it becomes exactly the kind of fan service that The Paper should avoid.

The Enervate Satire Is Getting Sharper
One of my favorite things about The Paper is the way it uses the newspaper as a vehicle for talking about modern corporate media.
The Toledo Truth Teller is owned by Enervate, a massive conglomerate that apparently has much more interest in its mass-market toilet paper brand, Softees, than in preserving a historic local newspaper.
That is such a ridiculous premise that it becomes painfully believable.
Local newspapers are expected to maintain journalistic standards while corporate owners demand growth, clicks, engagement, cost-cutting, and whatever other metric happens to be fashionable that quarter.
The Paper understands that absurdity.
And Season 2 seems ready to push it harder.
The newspaper’s employees are not just fighting each other over office politics. They are trying to keep an institution alive while the people controlling the money barely understand why the institution matters.
That gives the comedy some actual bite.
The Tornado Sequence Looks Completely Unhinged
The trailer also gives us one of the funniest visual ideas of the upcoming season: the newsroom crew covering a regional tornado watch while apparently attempting to chase the storm in an ordinary compact car.
This is exactly the sort of stupidity I want from a mockumentary.
Not because it is sophisticated. It is because you can already imagine the camera operator silently following them while thinking, ‘Are these people seriously doing this?’
The best mockumentary comedy often comes from treating completely ridiculous behavior as if it were a normal day at work.
Season 2 appears to understand that very well.
Will The Paper Season 2 Be Better Than Season 1?
This is where I am actually curious.
The first season had a difficult job. It had to introduce a new cast, establish a new workplace, explain why the documentary crew was there, and convince viewers that another series set in The Office universe was not just an extended nostalgia exercise.
There were moments when the influence of Jim and Pam felt a little too obvious. The show was clearly aware of the comparison, but sometimes awareness does not make the comparison disappear.
Still, by the end of Season 1, the series had found its footing.
The 85% Fresh Rotten Tomatoes score was a pretty good indication that critics were warming to the concept, particularly because the show was willing to focus on local journalism and corporate media rather than constantly reminding viewers about Scranton.
That is what Season 2 needs to build on.
I don’t need Michael Scott references every episode. I don’t need Dwight-style characters. I don’t need a parade of old faces.
I want the Toledo Truth Teller.
I want Ned making terrible decisions because he genuinely thinks he is saving journalism. I want Mare trying to do serious investigative reporting while being dragged into office drama. I want Oscar silently judging everyone. I want Esmeralda chasing clicks while pretending she is saving the future of media.
Basically, I want this newsroom to become a place I actually care about.
What Fans Should Watch for in Season 2
There are a few storylines that could define the new season:
- Ned’s investigation — His obsession with the private club could put the entire newspaper at risk.
- Ned and Mare’s romance — Keeping a secret relationship hidden in a documentary workplace sounds impossible.
- The newspaper’s financial future — Enervate’s priorities could become an even bigger threat.
- Oscar’s role — His connection to both accounting and journalism gives him an interesting position inside the new ensemble.
- The new guest characters — With this many comedians involved, there is plenty of room for memorable one-off personalities.
Why I’m Actually Excited for The Paper Season 2
I went into The Paper expecting a nostalgia trap.
Instead, the first season gradually convinced me that there is still life in this universe if the writers stop trying to recreate what came before.
The new trailer gives me more confidence that Season 2 understands that lesson.
There is still the awkward camera staring, the uncomfortable silences, the strange office romances, the ridiculous coworkers, and the occasional person behaving like they have completely forgotten they are being filmed.
But underneath all that is a story about a local newspaper fighting to survive in an industry that keeps getting squeezed by corporate economics and changing technology.
That is a surprisingly good playground for a comedy.
The Paper Season 2 premieres September 9, 2026, exclusively on Peacock, with all 10 episodes arriving at once. If the new season can keep the personality of the Toledo Truth Teller while resisting the temptation to become The Office: Part Two, I think it has a real shot at becoming more than a spinoff.
And honestly, that is the part I’m most interested in.
I don’t need another Scranton.
Give me Toledo.






